Category Archives: Uncategorized

Milestones and Miracles

10thAnniversary

Apologies~ I was really late in getting this out to everyone for two reasons: wondering if I would be able to get through this important milestone in a celebratory mood without Jean-Pierre, and lack of a computer in the store for a week and a half. I decided that the miracle of his and your love, which has seen me through every single day since July, would get us through it. I do hope that I will be be able to say I have the point of sale program up and running again when next I see you, which will hopefully be this Sunday. There will be food, (mole!) and I will playing the best beats you ever heard, loudly. And if you’ve read other recent posts here or on Facebook recently you already know there are some equally delicious new things all of over the place, with many more on their way. Until then, saludos…

Catching up on things…

Yes, I know, it’s April, but better late than never; I am finally ready to catch up on many neglected things that couldn’t be addressed properly while I began adjusting to the world without Jean-Pierre. Here at last is the slide show gallery from Dia de los Muertos 2013

click on the link below to view the slideshow!

Siempre Conmigo

mi Vida
On July 10th, the love of my life, (and many of yours,) mi Alma, mi Vida, Jean-Pierre, left this world, leaving all of us with a treasure chest of beauteous memories, and bounties of blessings through his generosity, his humor, his myriad talents and gifts and his boundless love for all of us, which he gave so much more easily to others than to himself.

Though his was a lifetime of struggles with sorrows and inner demons that seemed so often to torment him, he managed to do all of that and to be successful in so many ways. Many of you are asking for information for this seemingly sudden event. In truth, he was more and more fatigued for more than the last few years, and his cough was so horrendous that I and his mother Monique entreated him a million times to see a doctor but he wouldn’t do it. I think he found the energy somehow to work the punishing back to back film schedules of the last few years out of sheer love of that work and the great camaraderie that he shared with all of his union brothers and sisters when they worked together; which was possibly his greatest joy.

When we returned from taking Don Hugo, my father in law, home to Mexico to die in March, which was a supreme effort and difficulty for him, he began to get more and more tired and the cough more and more relentless, so at last he went to be seen six or seven weeks ago and was diagnosed with stage 4 cancer that had spread in several places. He was told there would be six months with no treatment and 12-14 with it. He wanted that time. He didn’t want so many of you to know because he wanted to be able to announce after the fact, “I am here, I have conquered it, I’m ready to get back to work”. The last four weeks saw a swift and frightening decline, and he endured unspeakable hell, and yet was still brave enough to take his first chemo treatment on Monday, but I think it was just too strong and too much for him, and that his heart and lungs couldn’t withstand it. He didn’t want a long drawn out death and so I guess this was a blessing, however terrifying and shocking it is to us now. He never liked or wanted a traditional funeral or its’ attendant traditions, and so we will plan a proper celebration of his life where we can all be together and share our love for him and one another; I want it to be a fitting tribute and will need some time to put that together and will keep you informed when all is decided and prepared. He always said he wanted to be taken back to Mexico, (just as the famous song that we named our business after describes) and his ashes scattered there:

“Mexico y lindo y querido
Si muero lejos de ti
Que digan que estoy dormido
Y que me traigan aqui
Que digan que soy dormido
Y que me traigan aqui
Mexico lindo y querido
Si muero lejos de ti”.

When we would arrive in Mexico, our first order of business was to go to the Zona Rosa and have lunch, and invariably a musician would come along and ask for a song request. He always asked for Mexico Lindo and he always cried, as he explained the words and sentiment to me, and then I would cry also, but they were also glad tears, because we were just so happy to be there and to be embarking on new adventures and discoveries together. He gave me Mexico; he gave me a whole new world of beauty and magic, and a beautiful playground in our store to create and share all of that with everyone, and so I must do that for him at some point, though the thought of going there without his hand in mine is unbearable. But he also gave to me the love and friendship of all of you that knew him even before I, and two incredible families that over the years that have assisted in so many ways in eradicating the sorrows of losses of so much of my own family too soon. So I know that somehow we will get through this together and honor and celebrate the majesty of his Being; so grand, so joyous and all encompassing, when he was happy and at his best.

And I will continue somehow, though I can’t exactly say in what way yet, to work to build a lasting legacy in his honor with our collection and to try and support the artists that we both love and admire so much.

Frida and her monkey

Frida and her monkey by Guillermina Aguilar
A beautiful interpretation of one of Frida’s many self portraits with her monkeys, by Maestra Guillermina Aguilar of Ocotlan, Oaxaca. $75

Dia de los Muertos Open House

Valentine Gifts from the Heart of Mexico

Cupid is on the move and Valentine’s Day is just around the corner! Fear not, we have ideas for you, like this flying wooden cupid from Guerrero, for $90.


We have plain and painted tin hearts in magnet size and regular ornament sizes, plain or painted, with mirrors or without, from 2.50-18.00.
…And then there are hearts covered in milagros, from 27.00-30.00:

…and hearts that are boxes, in barro negro, Xalitla style painting, or a pair of lovesick calaveras, from $16-18.
There are painted tin heart ornaments with messages of love for $17, hearts in pewter with natural flowers embedded in lucite for $26, and hearts with mirrors for $18.


Above: one perfect tin box with a red, red heart affixed for $39. Below: Valentine cards and sterling silver pendant and earring set with natural flowers, $49.

Above:Winged wooden hearts by Jacobo and Maria are new and specially priced at $40

Right: Costume colored wire hearts come in both pendants and earrings, in assorted colors and sizes, between $13-18. Left: Every heart and soul (and body!) is warmed by hot chocolate and coffee, and we have the finest of both, from Oaxaca and Chiapas, from $10-14. Fair trade, you ask? But of course.

Is there more? Oh, yes! But we’ll leave it at that, and entreat you to come in and see for yourselves. Hope to see you soon..until then, may your Valentine’s Day (and every day) be filled with lots of love…

con

Happy Hanukkah!

Menorah from Izucar de Matamoros


Happy Hanukkah everyone! It’s been a very busy few days at the store, with only enough time to post this beautiful example of a menorah from Izucar de Matamoros, in barro policromado…may your festival of lights be joyous!

Mex-LA exhibit explores Mexican-American two-way street

Southern California Public Radio: Mex-LA exhibit explores Mexican-American two-way street
Sept. 19, 2011 | Adolfo Guzman-Lopez | KPCC

During the 1930s, two well-known Mexican painters, David Alfaro Siqueiros and Jose Clemente Orozco, created public murals in downtown L.A. and Pomona. Jesse Lerner, curator of “Mex-LA” at the Museum of Latin American Art in Long Beach, says the artists’ work had a ripple effect in the Southland.

“We were interested in using their presence in Southern California as a point of departure in thinking of the impact of Mexican modernism on the art world of Southern California and other exchanges back and forth between the arts communities of Mexico and Southern California,” Lerner said.

Siqueiros hired influential artist Millard Sheets, who later created mosaics for Home Savings and other institutions. Orozco influenced Rico Lebrun, who later worked with Disney artists on the animated feature “Bambi.” “Mex-LA” explores the interactions and influence between artists from Mexico who came to L.A., and American and Mexican-American artists. Lerner says few people have documented the ways those creative people mixed it up. The story of architect Robert Stacy-Judd stands out, he says. Stacy-Judd relocated from England to L.A., where he indulged his fascination for all things related to the ancient Mayan culture.

“He was extremely engrossed. He visited Yucatan several times, he wrote a number of books about his travels there and about his theories about pre-Columbian contact between the Maya and Europe by way of the continent of Atlantis,” he said.

His Mayan-influenced hotel still stands in Monrovia. By most measures, Stacy-Judd was out there. There’s a picture in the exhibit of him dressed in a Mayan-Aztec headdress and tunic, posed as if he’s in the Bangles’ “Walk like an Egyptian” video.

Ancient culture influenced the moderns, and modern art found its way into pop. Exhibit curator Ruben Ortiz Torres chose to display six production drawings from Disney’s 1944 animated film, “The Three Caballeros.”

“Here we have one in which Donald is trying to reach a guitar but the guitar, if you look at the guitar, the guitar has these kind of colorful abstract forms that might refer to a serape, but it also looks pretty modern, it looks modernistic, it looks abstract,” he said.

That’s the point of the exhibit — that the interaction between Mexican, American, and Mexican-American artists resulted in nuanced work light years from the sombreros and Mexican food that many people associate with our southern neighbor’s influence on L.A.

The exhibit includes works by Chicano artists Chaz Bojorquez and Yolanda Lopez, Mexican photographer Graciela Iturbide, and furniture makers Charles and Ray Eames.

Ortiz Torres says several well-known Mexican intellectuals lived and worked in Southern California. He notes that the late Nobel Prize-winning writer Octavio Paz came up with the idea for his groundbreaking book “The Labyrinth of Solitude” when he lived in L.A. a second time. Paz lived in Los Angeles in his youth when his family was escaping the revolution and it has been said that this is the city where he learned how to read and how to write.

Ricardo Flores Magon, a Mexican anarchist writer who fanned the flames of the 1910 Mexican revolution, coined the slogan, “Tierra y Libertad” — “Land and Liberty” — when he lived in L.A.’s Echo Park. Ortiz Torres says these stories have as much to do with art in L.A. as those associated with artists like Ed Ruscha or John Baldessari.

“Dreams are an activity of memory, our unconscious draws from these memories to create these dreams, so I think for Los Angeles to construct its dreams, it has to be aware of its memories and its past and in this case it has to do a lot with Mexico,” he said.

The exhibit “Mex-LA” at the Museum of Latin American Art in Long Beach is part of the Pacific Standard Time series of exhibitions. The goal of that series — coordinated between multiple institutions — is to document and recover Southern California’s art history before it disappears.

Photography

In the courtyard of the Casa Azul

Temple of Quetzalcoatl, Teotihuacan

Iztaccihuatl + cornstalks

A Procession for the Navidad Posada in Oaxaca

El Popo

A dancer playing the part of the bull with fireworks at a calenda in Oaxaca

Santo Cristo sculpture overlooking Taxco

Cacti on the old road to Izucar

Agave field, San Martin Tilcajete, Oaxaca

scene from a street procession, Oaxaca

view from Gabino Reyes' home, La Union Tejalapan, Oaxaca

Before the rain in Tlaxcala

pigeon in nicho, Tlaxcala

¡Viva Mexico!

Well, here we are, celebrating el Dia de la Independencia with our first post at Word Press* because there’s just no way to make Facebook pretty, to categorize posts that may only interest certain people, and also because I have given up for the time being on learning code well enough to make all of my communications accessible and correct in every kind of browser. So stay tuned for further additions, which will also be posted via link in Facebook and Twitter.
*With many thanks to my brother Larry and my friend  Bernadette, who gave me the idea in the first place. ♥